The highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwide With insight, humour, formal invention, and lyricism, in A Man of Two Faces Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son. At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thu?t and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICA™. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn M?i, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening. Resonant in its emotions and clear in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.

The highly original, blistering, and unconventional memoir by the Pulitzer Prize-winning author of The Sympathizer, which has now sold over one million copies worldwide With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son. At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thuột and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICATM. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn Mới, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening. Profound in its emotions and brilliant in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.

WINNER OF THE PULITZER PRIZE FOR FICTION 2016 It is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong. The Sympathizer is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story, The Sympathizer explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

Winner of the 2016 Pulitzer Prize for Fiction Winner of the 2016 Edgar Award for Best First Novel Winner of the 2016 Andrew Carnegie Medal for Excellence in Fiction "[A] remarkable debut novel." --Philip Caputo, New York Times Book Review (cover review) Winner of the 2016 Pulitzer Prize, a startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War. The winner of the 2016 Pulitzer Prize for Fiction, as well as seven other awards, The Sympathizer is the breakthrough novel of the year. With the pace and suspense of a thriller and prose that has been compared to Graham Greene and Saul Bellow, The Sympathizer is a sweeping epic of love and betrayal. The narrator, a communist double agent, is a "man of two minds," a half-French, half-Vietnamese army captain who arranges to come to America after the Fall of Saigon, and while building a new life with other Vietnamese refugees in Los Angeles is secretly reporting back to his communist superiors in Vietnam. The Sympathizer is a blistering exploration of identity and America, a gripping espionage novel, and a powerful story of love and friendship.

""Wide-ranging yet consistently affecting, these pieces offer a crucial and inspired survey of the immigrant experience in America."" –Publishers Weekly "[These contributions] touch on so many different facets of the immigrant experience that readers will find much to ponder... [and] experience how creative writing enriches our understanding of each other and our lives." –Booklist Introduction by Pulitzer Prize–winning author Viet Thanh Nguyen A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today. In the overheated debate about immigration, we often lose sight of the humanity at the heart of this complex issue. The immigrants and refugees living precariously in the United States are mothers and fathers, children, neighbors, and friends. Individuals propelled by hope and fear, they gamble their lives on the promise of America, yet their voices are rarely heard. This anthology of essays, poetry, and art seeks to shift the immigration debate—now shaped by rancorous stereotypes and xenophobia—towards one rooted in humanity and justice. Through their storytelling and art, the contributors to this thought-provoking book remind us that they are human still. Transcending their current immigration status, they offer nuanced portraits of their existence before and after migration, the factors behind their choices, the pain of leaving their homeland and beginning anew in a strange country, and their collective hunger for a future not defined by borders. Created entirely by undocumented or formerly undocumented migrants, Somewhere We Are Human is a journey of memory and yearning from people newly arrived to America, those who have been here for decades, and those who have ultimately chosen to leave or were deported. Touching on themes of race, class, gender, nationality, sexuality, politics, and parenthood, Somewhere We Are Human reveals how joy, hope, mourning, and perseverance can take root in the toughest soil and bloom in the harshest conditions.

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this "forceful, beautifully written" (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation's premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays "full of struggle, emotion, fear, resilience, hope, and triumph" (Los Angeles Review of Books) about landmark cases in the organization's one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in-Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona-need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights-which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU's spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU's stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.

On Contested Terrain is published on the occasion of the first comprehensive exhibition of An-My Le's work, organized by the Carnegie Museum of Art. Throughout her career, Le has photographed sites of former battlefields, spaces reserved for training for or reenacting war, and the noncombatant roles of active service members. She is part of a lineage of photographers who have adapted the conventions of landscape photography to address the human traces of history and conflict, but is one of the few who have experienced the sights and sounds associated with growing up in a warzone. The publication includes selections from Viet Nam (1994-98), a series made on Le's return, twenty years after her family was evacuated by the US military and 29 Palms (2003-4), made on the eponymous military base built as a training ground during the Iraq War. It will also include many new and never-before-published images. Texts by curators Dan Leers and Lisa Sutcliffe and an interview between Le and Pulitzer Prize-winning author Viet Thanh Nguyen, address how Le's work complicates the landscapes of conflict that have long informed American identity.

'A voice that shakes the walls of the old literary comfort zone' New Yorker 'Goes toe to toe with the original then surpasses it. A masterwork' Marlon James, Booker Prize-winning author of a Brief History of Seven Killings 'Fierce and unrelentingly good. Hilarious and subversive' Tommy Orange, New York Times bestselling author of There There ------------------------------------ It's the early 1980s and the Sympathizer arrives in Paris. As a refugee, he and his blood brother Bon try to escape their turbulent pasts by turning their hands to capitalism in one of its purest forms: drug dealing. No longer in physical danger, the Sympathizer is both charmed and disturbed by Paris. Falling in with left-wing intellectuals and politicians at dinner parties held by his French Vietnamese "aunt", he finds customers for his merchandise as well as stimulation for his mind. But this new life he's living has unforeseen dangers of oppression, addiction and the seemingly unresolvable paradox of reuniting his two closest friends, men whose world views stand them poles apart. The highly suspenseful sequel to The Sympathizer, both literary thriller and brilliant novel of ideas, The Committed is a blistering portrayal of commitment and betrayal that will cement Viet Thanh Nguyen's position in the firmament of American letters.

From the author of The Sympathizer, winner of the 2016 Pulitzer Prize for Fiction, The Refugees is the second piece of fiction from a powerful voice in American letters, praised as “beautiful and heartrending� (Joyce Carol Oates, New Yorker), “terrific� (Chicago Tribune), and “an important and incisive book� (Washington Post). Published in hardcover to astounding acclaim, The Refugees is the remarkable debut collection of short stories by Viet Thanh Nguyen, winner of the 2016 Pulitzer Prize for Fiction for his novel The Sympathizer. In these powerful stories, written over a period of twenty years and set in both Vietnam and America, Nguyen paints a vivid portrait of the experiences of people leading lives between two worlds, the adopted homeland and the country of birth. With the same incisiveness as in The Sympathizer, in The Refugees Viet Thanh Nguyen gives voice to the hopes and expectations of people making life-changing decisions to leave one country for another, and the rifts in identity, loyalties, romantic relationships, and family that accompany relocation. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of migration. The second work of fiction by a major new voice in American letters, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize-winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War-a conflict that lives on in the collective memory of both nations. From a kaleidoscope of cultural forms-novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more-Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one's own people above all else, honoring their sacrifices while demonizing the "enemy"-or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them. Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war's truth will be impossible to remember, and war's trauma impossible to forget.

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review "The Year in Reading" Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize-winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War-a conflict that lives on in the collective memory of both nations. "[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War-and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift-wisdom, wit, compassion, curiosity-to the impossible yet crucial work of arriving at what he calls 'a just memory' of this war." -Kate Tuttle, Los Angeles Times "In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths." -Jonathan Mirsky, Literary Review "Ultimately, Nguyen's lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy." -Donna Seaman, Booklist (starred review)

An apprentice sushi chef and a mysterious blue-eyed woman share a bottle of wine inside a climate-controlled otter tank. The Great Wall of China grumbles as workers forego construction to watch an imperial game of baseball. A young woman tries to imagine a future unsullied by her family's history of untimely death. First issued in 1991, Pangs of Love introduced David Wong Louie's bold storytelling. The son of Chinese immigrants, he centered his stories around characters who are in conflict with their place in the world, disconnected from both American society and their own families. The depth of his portrayals renders their experiences of love, envy, loneliness, loss, and duty universal-informed by their heritage yet not confined by it. These twelve short stories and one essay swerve from the absurd to longing for love, understanding, or simply a morsel of food. Pangs of Love and Other Writings makes Louie's debut book available again, along with an additional short story and an extraordinary autobiographical essay, "Eat, Memory," in which he reflects on life without food after throat cancer took away his ability to swallow. Pulitzer Prize-winner Viet Thanh Nguyen contributes a foreword elucidating Louie's role in shaping contemporary Asian American literature, while an afterword by literary scholar King-Kok Cheung retraces the three phases of Louie's career.

'Call The Committed many things. A white hot literary thriller disguised as a searing novel of ideas. An unflinching look at redemption and damnation. An unblinking examination of the dangers of belief, and the need to believe. A sequel that goes toe to toe with the original then surpasses it. A masterwork' Marlon James, Booker Prize-winning author of A Brief History of Seven Killings The long-awaited new novel from one of America's most highly regarded contemporary writers, The Committed follows the Sympathizer as he arrives in Paris as a refugee. There he and his blood brother Bon try to escape their pasts and prepare for their futures by turning their hands to capitalism in one of its purest forms: drug dealing. No longer in physical danger, but still inwardly tortured by his reeducation at the hands of his former best friend, and struggling to assimilate into a dominant culture, the Sympathizer is both charmed and disturbed by Paris. As he falls in with a group of left-wing intellectuals and politicians who frequent dinner parties given by his French Vietnamese "aunt," he finds not just stimulation for his mind but also customers for his merchandise - but the new life he is making has dangers he has not foreseen, from the oppression of the state, to the self-torture of addiction, to the seemingly unresolvable paradox of how he can reunite his two closest friends, men whose worldviews put them in absolute opposition. Both literary thriller and brilliant novel of ideas, The Committed is a blistering portrayal of commitment and betrayal that will cement Viet Thanh Nguyen's position in the firmament of American letters. 'Here it is, with perfect timing, a novel that anyone who is part of a colonising or colonised nation - and that includes, of course, America - should read . . . Nguyen is a craftsman . . . And then there's the sharp humour . . . Like The Sympathizer, it amounts to much more than the sum of its parts. These two novels constitute a powerful challenge to an enduring narrative of colonialism and neo-colonialism. One waits to see what Nguyen, and the man of two faces, will do next' the Guardian 'If The Sympathizer was ostensibly a spy novel, then The Committed is a gangland thriller . . . Two contemporary classics for your bedside table' The Telegraph, five star review

In The Refugees, Viet Thanh Nguyen gives voice to lives led between two worlds, the adopted homeland and the country of birth. From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration. The second piece of fiction by a major new voice, The Refugees is a beautifully written and sharply observed book about the aspirations of those who leave one country for another, and the relationships and desires for self-fulfillment that define our lives.

An apprentice sushi chef and a mysterious blue-eyed woman share a bottle of wine inside a climate-controlled otter tank. The Great Wall of China grumbles as workers forego construction to watch an imperial game of baseball. A young woman tries to imagine a future unsullied by her family's history of untimely death. First issued in 1991, Pangs of Love introduced David Wong Louie's bold storytelling. The son of Chinese immigrants, he centered his stories around characters who are in conflict with their place in the world, disconnected from both American society and their own families. The depth of his portrayals renders their experiences of love, envy, loneliness, loss, and duty universal-informed by their heritage yet not confined by it. These twelve short stories and one essay swerve from the absurd to longing for love, understanding, or simply a morsel of food. Pangs of Love and Other Writings makes Louie's debut book available again, along with an additional short story and an extraordinary autobiographical essay, "Eat, Memory," in which he reflects on life without food after throat cancer took away his ability to swallow. Pulitzer Prize-winner Viet Thanh Nguyen contributes a foreword elucidating Louie's role in shaping contemporary Asian American literature, while an afterword by literary scholar King-Kok Cheung retraces the three phases of Louie's career.

The Pacific has long been a space of conquest, exploration, fantasy, and resistance. Pacific Islanders had established civilisations and cultures of travel well before European explorers arrived, initiating centuries of upheaval and transformation. The twentieth century, with its various wars fought in and over the Pacific, is only the most recent era to witness military strife and economic competition. While "Asia Pacific" and "Pacific Rim" were late twentieth-century terms that dealt with the importance of the Pacific to the economic, political, and cultural arrangements that span Asia and the Americas, a new term has arisen-the transpacific. In the twenty-first century, U.S. efforts to dominate the ocean are symbolized not only in the "Pacific pivot" of American policy but also the development of a Transpacific Partnership. This partnership brings together a dozen countries-not including China-in a trade pact whose aim is to cement U.S. influence. That pact signals how the transpacific, up to now an academic term, has reached mass consciousness. Recognising the increasing importance of the transpacific as a word and concept, this anthology proposes a framework for transpacific studies that examines the flows of culture, capital, ideas, and labour across the Pacific. These flows involve Asia, the Americas, and the Pacific Islands. The introduction to the anthology by its editors, Janet Hoskins and Viet Thanh Nguyen, consider the advantages and limitations of models found in Asian studies, American studies, and Asian American studies for dealing with these flows. The editors argue that transpacific studies can draw from all three in order to provide a critical model for considering the geopolitical struggle over the Pacific, with its attendant possibilities for inequality and exploitation. Transpacific studies also sheds light on the cultural and political movements, artistic works, and ideas that have arisen to contest state, corporate, and military ambitions. In sum, the transpacific as a concept illuminates how flows across the Pacific can be harnessed for purposes of both domination and resistance. The anthology's contributors include geographers (Brenda S. A. Yeoh, Weiqiang Lin), sociologists (Yen Le Espiritu, Hung Cam Thai), literary critics (John Carlos Rowe, J. Francisco Benitez, Yunte Huang, Viet Thanh Nguyen), and anthropologists (Xiang Biao, Heonik Kwon, Nancy Lutkehaus, Janet Hoskins), as well as a historian (Laurie J. Sears), and a film scholar (Akira Lippit). Together these contributors demonstrate how a transpacific model can be deployed across multiple disciplines and from varied locations, with scholars working from the United States, Singapore, Japan and England. Topics include the Cold War, the Chinese state, U.S. imperialism, diasporic and refugee cultures and economies, national cinemas, transpacific art, and the view of the transpacific from Asia. These varied topics are a result of the anthology's purpose in bringing scholars into conversation and illuminating how location influences the perception of the transpacific. But regardless of the individual view, what the essays gathered here collectively demonstrate is the energy, excitement, and insight that can be generated from within a transpacific framework.

The long-awaited new novel from one of America's most highly regarded contemporary writers, The Committed follows the Sympathizer as he arrives in Paris as a refugee. There he and his blood brother Bon try to escape their pasts and prepare for their futures by turning their hands to capitalism in one of its purest forms: drug dealing. No longer in physical danger, but still inwardly tortured by his reeducation at the hands of his former best friend, and struggling to assimilate into a dominant culture, the Sympathizer is both charmed and disturbed by Paris. As he falls in with a group of left-wing intellectuals and politicians who frequent dinner parties given by his French Vietnamese "aunt," he finds not just stimulation for his mind but also customers for his merchandise - but the new life he is making has dangers he has not foreseen, from the oppression of the state, to the self-torture of addiction, to the seemingly unresolvable paradox of how he can reunite his two closest friends, men whose worldviews put them in absolute opposition.

Both literary thriller and brilliant novel of ideas, The Committed is a blistering portrayal of commitment and betrayal that will cement Viet Thanh Nguyen's position in the firmament of American letters.

Race and Resistance: Literature and Politics in Asian America examines the idealisation of Asian America by its intellectuals, the saturation of Asian America with capitalist practices, and the challenges posed by Asian America's ideological diversity. Viet Nguyen argues that Asian American intellectuals need to examine their own assumptions about race, culture, and politics, and he makes his case through the example of literature, which still remains a critical arena of cultural production for Asian Americans. Significantly, in examining Asian American literature, what we find is that the literature embodies the complexities, conflicts, and potential future options of Asian American culture.

Race and Resistance: Literature and Politics in Asian America examines the idealisation of Asian America by its intellectuals, the saturation of Asian America with capitalist practices, and the challenges posed by Asian America's ideological diversity. Viet Nguyen argues that Asian American intellectuals need to examine their own assumptions about race, culture, and politics, and he makes his case through the example of literature, which still remains a cultural arena of cultural production for Asian Americans. Significantly, in examining Asian American literature, what we find is that the literature embodies the complexities, conflicts, and potential future options of Asian American culture.

Emerging from mid-century social movements, Civil Rights Era formations, and anti-war protests, Asian American studies is now an established field of transnational inquiry, diasporic engagement, and rights activism. These histories and origin points analogously serve as initial moorings for Flashpoints for Asian American Studies, a collection that considers-almost fifty years after its student protest founding--the possibilities of and limitations inherent in Asian American studies as historically entrenched, politically embedded, and institutionally situated interdiscipline. Unequivocally, Flashpoints for Asian American Studies investigates the multivalent ways in which the field has at times and-more provocatively, has not-responded to various contemporary crises, particularly as they are manifest in prevailing racist, sexist, homophobic, and exclusionary politics at home, ever-expanding imperial and militarized practices abroad, and neoliberal practices in higher education.